When AI Turns Against Us: Atlas Review

If there’s one technology defining technology today, it’s AI. While artificial intelligence is making waves behind the scenes in both thrilling and controversial ways, it’s also increasingly stepping into the spotlight in narratives. Atlas is a prime example of this trend, exploring a world teetering on the brink of chaos due to AI.

Atlas is a sci-fi action film that grapples with the complex themes of AI and human nature. While it stumbles initially, the film eventually finds its footing, delivering a more engaging and thought-provoking second half.

Jennifer Lopez (still very sexy) carries the film as Atlas Shepherd, a character burdened by the past and driven by a need for redemption. Her performance is solid, particularly in the latter part of the film where her character undergoes significant development. Simu Liu, as the villainous Harlan, is suitably menacing, adding depth to the antagonist, however, he has very little screentime, and his character is also very Thanos-ish.

The film’s exploration of the relationship between humans and AI is intriguing, with the dynamic between Atlas and her AI companion, SMITH, providing some of the most compelling moments. However, the execution of this concept could have been deeper and more nuanced.

Atlas opens with a clunky exposition dump that feels stiff and holds back too much information, making the introduction to Atlas disorienting. Without the necessary context, her character is a little hard to connect with, a flaw that undermines the entire first act.

However, The film truly ignites when the action picks up. The ensuing ambush sequence marks a turning point, injecting much-needed energy into the narrative. The dynamic between Atlas and her AI companion, SMITH (Gregory James Cohan), becomes the heart of the film. Their evolving relationship, marked by both camaraderie and conflict, offers a fascinating exploration of human-AI interaction. While the film’s exploration of AI consciousness doesn’t quite reach the depth of other sci-fi classics like Pacific Rim and The Creator, it provides a compelling subplot. Jennifer Lopez delivers a standout performance, elevating the film’s second act.

Visually, Atlas is impressive, with stunning planetary landscapes and well-designed mech suits. The action sequences are thrilling, though they occasionally overshadow the character development.

Ultimately, Atlas is a film with potential that is partially realized. While its first act is slow and confusing, the second half picks up the pace and delivers a more satisfying and even often funny viewing experience. It’s a film that will likely divide audiences, with some praising its action-packed thrills and others criticizing its uneven pacing and underdeveloped characters.

In the end, do we recommend Atlas? The film takes a while to find its footing, and the first act is undeniably rough. While it eventually finds its voice, it’s debatable whether it has anything meaningful to say. Something is intriguing here, but if you’re on the fence, you might be better off passing on this one.

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